Tag Archive for 'Foggy Ruins Of Time'

The Roaring Nineties


June 2, 2008
foggy ruins of time

Album Review Collective Family Compilation Music

Put together by CLLCT’s Secret Chief (Luke!), better known by most as Secret Owl Society, this Lo-Fi compilation, The Roaring Nineties, covering the greatest hits of the 90s, is like most compilations, brimming with some amazing songs, some good and some bad. To keep this two-disc, twenty-six track beast at bay, I’ll just describe some of my favorites and mention a few others.

The Brooke (a tiny ocean) has graced us with two (that’s right) two awesome covers, her cover of Oasis’s “Wonderwall” being my favorite. Just an acoustic guitar and her dream-like voice, she manages to recontextualize this song, not in its sound or delivery, but in its emotional impact. It hits almost ten times harder than it did originally.

Shelby Sifers, along with help from the Sarcastic Dharma Society, cover Del Amitri’s “Roll To Me” a song I remember instantly, but don’t ever recall the original band’s name (or even the song title). Shelby manages to cover some new ground, articulating her voice in ways that sound more down-to-earth than ever before. It’s sweet and gives us a glimpse into an alternate universe where she would be selling millions of albums and the world was a better place.

Tinyfolk’s cover of the Elton John classic from the hit Disney film The Lion King, “Can You Feel The Love Tonight,” starts off a bit slow, but the Usher-influenced ending is totally perfect. If you like Bill and Valley Forge era Tinyfolk, this is a good reflection of that style with a hip-hop twist.

Dustin And The Furniture’s take on Third Eye Blind’s “Semi-Charmed Life” was probably my most anticipated cover on The Roaring Nineties and it is everything I hoped it would be and more. It is acapella, focusing solely on Dustin’s “sleepy brown bear” voice. What more could you want?

Uggamugga’s acoustic cover of “Wannabe” by The Spice Girls is so hilariously cute. Sung almost off key and featuring boy/girl vocals, there is something so infectious happening here.

Fudge’s almost acapella cover of the Red Hot Chili Pepper’s “Suck My Kiss” is so ridiculous you have to love it. Featuring a chorus of kazoos, handclaps and vocal sound effects, it reminds me of Weird Al Yankovic at his most insane.

Perhaps the most stunning cover is SFIAS with The Anchorites’ cover of Donna Lewis’s only hit, “Love You Always Forever.” Essentially a wall of noise, they only hint at the melody lying deep within the chaos. It is beautiful, heartbreaking and sublime.

Now I’m sad to say that both of Patrick Ripoll’s covers didn’t do much for me, although the first bit of “How’s It Gonna Be (originally by Third Eye Blind)” is actually quite cool and very different for Patrick, it sort of teeters off aimlessly. I do like the nice use of the Amen Break though.

Both Fire Island, AK covers are a bit dreary and I wanted to like Manipulator Alligator’s cover of TLC’s “Waterfalls” more than I did.

But, I can see what some of the artists were doing here. Some were trying to take these glaring monuments of mainstream ideology and turn them into what they are, manufactured dribble. I think that’s taking the easy route. Many of these songs, no matter how manufactured still spoke to us and the best covers here are ones that reflect the deep loving or enjoyment we had of these songs back when we were growing up.

Sold to raise money to help maintain CLLCT, the amazing community of artists and musicians that ALL OF YOU should be a part of, it is now available to download for free! Enjoy!

The Roaring Nineties

Links:
The Brooke (a tiny ocean)’s site
Shelby Sifers on Myspace!
Tinyfolk on Myspace!
Dustin And The Furniture on Myspace!
Uggamugga on Myspace!
SFIAS on Last.fm!

*anyone know anything about Fudge? I can’t seem to find anything on them.

21 Love Songs: The Magnetic Fields Tribute


March 13, 2008
foggy ruins of time

Album Review Compilation

It may not be fair to review this album since I’m on it, but James Eric has compiled a great collection of artists covering the hilarious and heartbreaking Magnetic Fields.

The covers here run the gamut from faithful to downright bizarre. Check out Tinyfolk’s take on “I Don’t Believe You,” I’m so strangely drawn to it, but every time I’m like “WTF is going here?” It sounds like a mice and robot orgy.

Fairmount Fair turn “Why I Cry” into an upbeat jungle romp ‘n’ stomp sing-along. The same goes for James Eric’s cover of “(Crazy For You) But Not That Crazy,” as he injects about ten billion watts of electricity into the original and lets go with wondrous results.

Now before you think that everyone here is taking a piss out of Stephin Merritt, its all in good fun and I think he might get a real kick out of this if, or when, he hears it.

There are some also really touching covers, my cover of “Plant White Roses,” for example. No, no really. But seriously, A Lime Tree’s homespun, front porch country cover of “You Me And The Moon,” is really sweet and banjolicious.

But my favorite cover on this album is Your Yellow Dress’s cover of “Absolutely Cuckoo.” This has become a full blown twee number, and you’ll totally fall in love with Carrie Muller’s voice. Her voice bounces just on the edge of the melody and keeps the song racing. Alex Poska ain’t no slouch either and the simple yet effective arrangement keeps it on constant repeat for me.

When James first started calling for admissions on this tribute I hadn’t even heard of The Magnetic Fields, but I was totally won over and consider myself one of the believers. I think everyone on this tribute, regardless of fandom, really pulled out the big guns and made a great album even if you haven’t heard of The Magnetic Fields either.

Mp3s:
Tinyfolk-”I Don’t Believe You”
Your Yellow Dress-”Absolutely Cuckoo”

Links:
Download the whole album for FREE on CLLCT!
Buy a hard copy from James Eric
Tinyfolk on myspace
Your Yellow Dress
The Magnetic Fields on myspace

Virgins Put A Fury In The Wind


March 5, 2008
foggy ruins of time

Artist Review

Virgins is one part gentleman poet Silly Rob Childish. and one part live wire guitarist Maxwell Lewis?. And they are making my Microsoft Word grammar check go crazy. But I digress. Rob Gray and Max Golding have been making music under various forms for awhile now, but they came together last year as Virgins, playing shows, jamming in studios and just plain blowing heads in Santa Barbara.

Rob Gray is a poet through and through and words explode explicitly and are exquisitely annunciated (Sometimes told with a drunken swagger). Images of history and our culture flicker out and about his mouth and you’ll find yourself holding your breath to listen to every word. And these words are given ten shots of cocaine by Max Golding’s insane fingers. It is as if someone knocked over a telephone pole and the poetry electrocuted your insides and especially your brain.

“Champagne And Snow” is perhaps their flagship song; I’ve seen it performed twice, heard it on three albums and it is different every time. Like old Jazz artists they tend to play around with the structures making for some fascinating takes on the same song. One thing that carries through in every version of this song is the electricity and fury put into it. Gray is practically spitting these images of orgiastic decadence (a reflection of Isla Vista perhaps?), failed dreams, utmost disappointment and a killer Fall Out Boy reference. Golding’s fingers fly like a wild night on a Las Vegas strip à la Fear And Loathing…

“How I Am” is one of the best examples of Gray’s ability as a spoken word poet and this time around Golding backs it up with a fitting level of tension. It’s visceral seeing it live, but it still hits you even in the recording.

Virgins are doing some of the most original music out there today. If you even think for a second that it comes with a level of pretentiousness, once you listen you’ll understand that they are coming from a very human place. It’s the part in us all that longs to try and encapsulate all our pain and joy into words and music. Virgins are making headway into that territory quite gloriously, well as glorious as the human experience can be.

Mp3s:
Virgins-”Champagne And Snow,” the Demo Two version
Virgins-”How I Am”

Links:
Virgins on myspace
Minus The Masses Records, get all their albums for free here!
Silly Rob Childish. on myspace
Maxwell Lewis? on myspace

Ghosts Never Die And Neither Will You!


February 20, 2008
foggy ruins of time

Collective Family Labels

I’m not sure if everyone knows, but Isaac of Blanketarms, Isaac Arms, The Spooky Ghosts, and the man behind the beloved Pop Monster Collective has called it quits. While I am deeply saddened we all do what we need to do and I’m just happy Isaac is letting the legacy live on by allowing us to post the entire discography onto CLLCT.com (or as much as possible). Today I personally put up Blanketarms’s masterful double album Sweet & Sour along with their side of the activist-minded One Small Fist split. I also put up Isaac’s solo record that I won’t shut up about. Russ of Tinyfolk is also working on uploading more material and if any of you have something that we might not have let us know!

I like to talk about how I got into lo-fi music a lot lately (or at least the events behind it) and I just remember Blanketarms being one of the first bands I listened to. The first song I heard was “Heartbreaker,” the version off of their tour CD-R (anyone have the entire disc?). I was transformed completely and utterly forever. I never heard something so raw, so honest and so unexpected. From that moment I had to find more. I was freshman in college and I was vulnerable and open and I wanted to consume everything lo-fi; luckily Pop Monster Collective was right around the corner. I immediately started snatching up records from Blanketarms, Tinyfolk, Real Live Tigers, Super Famicom, Jon Crocker; you name it I was listening to it. And not just Pop Monster either, but I would follow myspace top 8s to get to any artists that sounded like the perfect fit.

It wasn’t just about listening to all these wonderful artists, but it was about the spirit of DIY and how it didn’t matter if your guitar was a twenty-five dollar toy guitar, if it was broken, or if it was a thousand bucks. You could record your songs on cassettes using headphones, using iPod mics, or even the recording device that comes with windows; it didn’t matter. For the first time in my life I knew that if I made music someone would listen because in this community everyone was willing to give you a chance.

I mean I can honestly say that my entire train of thought was effectively altered forever because of Blanketarms, Pop Monster Collective, and all of you fine folks out there doing what you love no matter what. I grew up in place where most people had ZERO passion and suddenly discovering so many people who cared deeply about what they were doing inspired me to become a more driven and confident person.

So what I do is for all of you. I want to make Isaac proud, Pop Monster proud and all of you proud of what I do, you do, what we did, what we do and what we will do. We are all artists and no matter what, we always will be.

The legacy of Pop Monster Collective will never die and I suggest for those uninitiated check out every artist that was a part of that family.

Mp3s:
Blanketarms-“Heartbreaker (Unripe Version)”
Isaac Arms-“Us Vs. Stuff”
Real Live Tigers-“No Regrets”
Tinyfolk-“Dear Apollo”
Rambling Nicholas Heron-“Only This And Nothing More”
The Spooky Ghosts-“Ghoul’s Night Out”
Super Famicom-“I Evaporate”
LA Beard Club-“ Harder Than It Has to Be”

Links:
The Pop Monster Collective site
Pop Monster on myspace
CLLCT.com where the legacy lives on!

Blanketarms-”Ya Basta!”

Get up and out of bed and in your car and off to work

Complain cuz greatness passed and you’re just stuck with common jerks

So you’ve been lost so long just like a cog it’s not the end

And it won’t kill you to destroy yourself and start again

But I refuse to believe that no one gives a shit

And I think we, we watch ourselves sink

Just because we’re used to it

You know how nacho cheese it gets real stiff when you let it sit

Well I think your eyes are pale

And your soul is stale cuz you don’t do shit

Just ride a bike or read a book or send a letter home

Or build a new friendship cuz we weren’t meant to be alone

But I refuse to believe that no one gives a shit

And I think we, we watch ourselves sink

Just because we’ve given up

But enough is enough

Prance About In The Woods With Kate Micucci


February 19, 2008
foggy ruins of time

Artist Review

I don’t know how people can achieve that “cute” sound, but when I listen to Kate Micucci I begin to realize that there is much more to it than playing ukulele or singing about animals. Armed with ukulele, guitar and piano, Kate, now residing in LA far from the woods of New Jersey where she grew up, manages to write and play songs with an amazing range of versatility, humor and humility. As for making silly comparisons, her voice sounds like a more sober, less slutty version of Jenny Lewis’s voice. Again, simple comparisons aside, Kate has a lot going on. She is also acts (has had some minor roles in various sitcoms), makes sandcastles, and draws funny comics. More and more in our society there is a growing legion of artists that do it all and are exciting and interesting in all that they do. I don’t think being a pure musician or a pure actor, etc. etc. isn’t logical or even feasible anymore and Kate is one case that this is so. However the main focus here is her music and I don’t know if she has plans for an album or anything, but the five songs on her myspace run the gamut from the hilariously cute, “Dear Dear” to the pretty and classic, “Walking In Los Angeles” to the melancholy motivator, “Just Say When.” Using just her voice and minimal instrumentation, Kate Micucci is more than just a musician she’s an artist.

Mp3:
Kate Micucci-”Walking In Los Angeles”

Links:
katemicucci.com
Kate Micucci on myspace
Hilariously cute video for “Dear Deer”

Secret Owl Society and Colloquial Mage: The Story of the Sand (2008)


January 24, 2008
foggy ruins of time

Album Review Collective Family

Colloquial Mage reminds me of Link from Legend of Zelda only Colloquial Mage is more eager to share his adventures. His collaboration with the ever–so-brilliant Secret Owl Society was a perfect match for Mage to share with us this two song tale Story of the Sand. Sort of an allegory of his fears, anxieties, hopes and dreams about his mission to Taiwan, Story of The Sand is a dreamy surreal tale about a boy falling in and out of a dream. Secret Owl Society’s music perfectly underscores the sense of uncertainty, but reinforces Colloquial Mage’s optimistic outlook.

Divided into two parts, “Sand Creature Part I” and “Sand Creature Part II,” Part I feels like the beginning of those sorts of adventures where the plucky young kid falls into a hole or a cave and emerges in another world. However, the distinctions between reality and dreaming blur almost immediately as he leaves his friend behind to look outward on sand dunes stretching for miles. He finds comfort in the sand, “It would never betray me,” and transforms himself preparing for the adventures ahead. Part II turns into a Mad Max like chase through the dunes as Mage tries to deal with similar, but foreign feeling individuals. Every line can be taken several ways and when I listen I get flashes of a childlike whimsy; that this whole story is part of the type of imagination games we all used to play when we were younger. Again Secret Owl’s dreamy score adds a level of ambiguity to the words coming out of Mage’s mouth, reinforcing this blurring lines between reality and dreams.

I am typing this in an airport in Fiji as I await my new unknown adventures in New Zealand. Like Colloquial Mage who is now well underway on his mission, I know what impending change can do to a person’s mind and his pairing with Secret Owl Society hits on the mark all the feelings I have at the moment perfectly. Yet, anyone who’s dreamed of adventures can see that they aren’t just dreams, they are coming true all the time.

Mp3:
Secret Owl Society and Colloquial Mage-”Sand Creature Part I (Adapt)”

Links:
Story of the Sand on CLLCT
Secret Owl Society on myspace
Colloquial Mage on myspace

The Lonesome Architects: The Ocean at Night (2007)


January 24, 2008
foggy ruins of time

Album Review

Hey everyone, I’m in Auckland, New Zealand right now and I have a bit of free time. Sorry if I’m posting out of turn, but I know ya’ll understand.

orginal post date: Thursday, August 16, 2007

The Lonesome Architects are a band (Josh and Martin) originating from LA who play dare I say, “Folktronica”? Is it possibly the greatest antithesis to rap/rock? Genre-bending aside, their latest EP The Ocean at Night is a surprising album given their more acoustic background. However there were inklings of the sound on their last record 15 songs of loss, love and longing. This mixing of folk and electronic music is simply stunning and each form compliments each other greatly. The warm intimacy of acoustic guitars entwined with the cold discipline of electronic beats really recreates the surreal landscape we all live in. So what is this EP all about? Well relationships are one big answer and our relationships to those relationships too. It’s very post-modern; the very best kind. I think I really like The Lonesome Architects because of the pervading sense of individualism that comes from these two guys. It isn’t a selfish or self-absorbed type of individualism, it is us the individual who looks and feels and perceives. I could go on and on about this type of stuff (I’m taking culture and film theory at the moment), but I think what will really win you over is their craft at coming up with very memorable melodies and interesting song structures. “Julie Vignon” is an instant classic. It has a very biting edge to it; a synthesized beat intermixed with some screeching guitar, handclaps and a killer hook, “And now I’m living alone/ just like Julie Vignon/you can catch me by/ the swimming pool anytime.” I’d be afraid to be this girl. Josh and Martin mentioned at the Muddy Waters show yesterday (Read my review here) that while making this record they decided to make it a dance record, or an attempt at one. Now I wouldn’t necessarily call this a dance record, but if some DJ were to remix it I’m sure it would be tearing up the clubs. The song, “Was It You?” Is the most obvious of their intentions. It is the kind of dance song all young un-dance oriented guys would make who wished they had moves (like me): earnest, serious, and a bit cute (in a good way!). The poetry is something else when Josh sings, “And in to this field of schemes/ that once was filled with dreams/ but dreams do rot/ and fruit gets soft/it’s true or is it not?” Attempt to get The Ocean at Night any way you can right now. It is necessary for anyone who’s ever thought about our place in this world and with everyone else.

Mp3:
The Lonesome Architects-“Was It You?”

Their Myspace with “Julie Vignon”!
On Virb!

Tinyfolk: Bill (2007)


January 17, 2008
foggy ruins of time

Album Review Collective Family

This is a “classic” review of mine. =D

One of my favorite records of 2007.

Original Post Date: Saturday, September 22, 2007

Tinyfolk’s new album Bill is the most epic lo-fi album I’ve ever heard. For the uninitiated Tinyfolk comes from the mind of Russ Woods (and sometimes Meghan Lamb) and is from Indiana. On occasion Russ’s voice reminds me of Daniel Johnston, but his standard instrument of choice is a baritone ukulele. As Tinyfolk he writes quirky, cute songs with a dash of longing behind all of them. I’ve had the pleasure of playing a show with him a few months back and he was so nice and just as adorable in person. But I should get back to Bill. If you were expecting another “Love Is A Thing” you are gravely mistaken. Right out of the gate “Antlers” begins as a fantasy-like spoken word exchange before melting into a baroque world of animals and beasts and then it gallops into a desperate rhythm questioning a girl’s motivation. And this is only in the first song. My favorite song on the album “Dear Apollo” comes next and showcases Russ’s unique voice killing that Daniel Johnston comparison I made earlier. The way he sings the chorus “And they cry out to me” is simply sublime (you can only sing it loudly when sung aloud). On the entire album Tinyfolk greatly increases his repertoire with expansive and interesting arrangements not limited to: samples of bird calls, banjos, piano, and synthesizers. The exponential increase does not take away any of Tinyfolk’s charm and in fact his voice is the center for all of the songs on Bill. The nostalgic sounding, but forward thinking “Really Blue: A Tale of Unrequited (Perhaps) Romance and Lizardry” really grinds itself deep into our own feelings towards the past and longing. Russ sings, “The skies looking bluer than I ever remembered it being during high school/it’s like you and me we’ve got a sea way up above our heads/it’s really, really, blue/And I know you could never love a lizard boy like me/but on a big wet sunny day like this I like to just pretend/so don’t take me seriously” His voice belts earnestly while a beautiful synth line weaves its way along the poetry. “You Can Call Me Al” a cover of a Paul Simon song from his album Graceland is a fantastic cover because it is sung like it isn’t one. It follows the arrangement pretty closely (using the same horn arrangement but on synths humorously this time) but I would never know that it was a cover if I hadn’t heard the original! I know some might say the point of that previous statement is obvious, but some covers reveal their original artists quite easily (Any Beatles cover pretty much). The other cover on Bill is also a highlight. “(There’s) Always Something There to Remind Me (written as “Always Something There” on this album)” is a Burt Bacharach song, but I will always remember the 1980s version from the band Naked Eyes (Those “Best of the 80s” compilation ads played every five minutes when I was a kid!). This song is the last song on the album and returns to some familiar territory from his previous album “Platapeasawallaland”: A Rainy-Day Owlbum. It’s simple, cute, and Meghan sings on it! It is very effective at making this infectious tune even more infectious. Bill is a sprawling epic of an album, but maintains a high level of intimacy and a bit of humor that makes listening fun and more enjoyable each time. I put it on more and more each day.

Tinyfolk-”Dear Apollo”

Links:
tinyfolk.com
Tinyfolk on myspace
Get Bill and many more great music from Pop Monster Collective

Pat Regan Knows How To Sing Them Blues And Capture A Crowd


January 16, 2008
foggy ruins of time

Artist Review MP3 Quickie

Pat Regan (who attends USC) is a guy who knows how to win over a crowd and write some damn fine simple folk/blues songs that will get in your head. He’s like Paul Baribeau with a sense of humor, or Shakey Bones but not as drunk. Humorous comparisons aside, Pat Regan wants to play for you and your friends and has a lot of great gems to offer.

“I Don’t Understand” is potential hit-making material. A song about the awkwardness of burgeoning sexuality and society’s obsession with it, Pat Regan knows that he doesn’t know, but finds solace in that it just has to be this way. He understands that it is a natural part of growing up and all the live journals and myspaces and magazines are going about it the wrong way.

The single strum electric guitar song might be a sub-genre all on its own, but I’m moved every time. “In The Shade” even features a lonesome, perfectly accented harmonica that kills you when it echoes in after the choruses. I haven’t listened to it enough yet to get the lyrics, but I’m already moved beyond comprehension.

Pat Regan drove up to Santa Barbara to play at my (Existential Hero’s) farewell show and I requested “People Who Never Played For The Chicago Bulls” because it’s hilarious. Pat with his amazing stage presence started asking people to shout out other people who haven’t “played for the Chicago Bulls.” He did some impromptu rhyming to Prince and Shaq and in general kept everyone dancing and smiling.

A newer song, “We Got The Science,” contains the great line, “Natural causes aren’t causes worth dying for.” It is a satire on our society’s obsession with youth to the point that eventually we will cure death. It’s a Vonnegut-like waltz that is more prophetic than we’d all like to believe.

Pat Regan has an amazing infectious presence that I saw unfold before me in my old apartment and I think it carries over extremely well to his recorded music as well. You’ll be moved and moving at the same time.

Pat Regan-“We Got The Science”

Links:
Pat Regan on myspace

Rachel Doe Makes Beautiful Music In Her Spare Time


January 9, 2008
foggy ruins of time

Artist Review

Rachel Doe

When I was first introduced to “lo-fi” music, Rebecca made me listen to Blanketarms, Tinyfolk, Super Famicom and a lesser-known artist named Rachel Doe. Listening to her now reminds me of my first year at UCSB and the endless possibilities that were in front of me. Her voice is strong and simultaneously soothing. Her more traditional music background reveals itself often; usually weaved in and out of the simple forms of acoustic folk-pop. Like her voice, this creates contradictory feelings that are perfect for a freshman struggling to find a foothold in a giant university. She hasn’t “released” an album or EP of her music yet, every few months or so I’ll just be happy to discover a new song on her myspace (Today I found a cover of Feist’s “So Sorry”).

The song “Claptrap” is an early classic back when I was introduced to her in ’06. Containing sketches of desperate warning, the song almost seems operatic. The guitar is messy, but it echoes fiercely. She even manages to make the phrase “ASAP” melancholy, which is quite a feat.

“Sisyphus” is a downright strange, mysterious song. Sung in a rather low register, it feels peaceful during the verses, but jumps out at you with intensity during the verses (Kind of a deconstruction of the grunge song format). Again, Rachel’s lyrics appear like flashes of ideas and feelings. Things like Valentines Day, unions, a Greek myth, and complementary colors all swirl around you never quite forming something concrete, but leave you with a desire to investigate further.

“Gorgey Porgey” is one of the sweetest songs that someone could write about another person. The chorus is simple and infectious, the chords themselves feeling perfectly familiar and with the lines repeating over and over again, “I think you’re gorgeous, baby baby,” you could swear she’s singing about you. Or you want her to be singing about you.

Rachel Doe is a perfect example of an artist making beautiful music that nobody might ever hear. She isn’t in it for anyone else, no glitz and glam of the collective like all of us here. Regardless, she is someone who should be heard and I hope she will start making music more often.

Rachel Doe-“Sisyphus”

Links:
Rachel Doe on myspace